“Beauty is within the attention of the beholder,” the word goes. But it wasn’t always such as this. In what sense is something beautiful? How can one securely criticize that one’s taste is better or worse than the other? You can protect a particular style in the true face of many other contradictory competitors?
These were the questions that were widely and skillfully talked about and were the central job for architects, painters, and sculptors in the past. For many years, Classical beauty was born, inactive, and revived. It had been once regarded as the supreme aesthetic guide of the European aristocrats. And the ones who repelled such style were despised.
Now the remnants of Classical beauty, which were carefully preserved and rebuilt, remain scattered across Europe and remain part of the western history that is highly praised by the educated class. But where did the target standard of beauty fail? Why would anyone rival against the total formulas to constructing a screen and a door and relating rooms to hallways that had been remaining unchallenged for hundreds of years? One of the primary competitors of objective beauty is perhaps what might be called postmodernism.
It shows that beauty, unlike science, can hardly sign up to the rigors of rational examination and it is critically dependent on what holds up our moods, hence lacking a target evaluation of what is beautiful. If we are to truly appreciate beauty, according to postmodernists, we have to restart the assumed certainty in science and favor a rely upon the fact that something is definitely not beautiful in all races and cultures. They contend that the enforced objective standard of beauty is a violation of human nature, denying us the liberty to openly express what we should value. Thus we should exercise our right as individuals rather than submitting ourselves to the so called “professionals”.
Is it not beauty more goal rather than subjective? Hence the thought of city planning is founded on the assumption that beauty is objective. Without this assumption set forth in the first place, most cities cannot be constructed with such coherent beauty. Likewise, if we’ve no common surface on what is beautiful, how can we explain a large number of architectures that seduce and move us to tears? After all, we all have been clung to the same visual language because there are some items in the world the whole of mankind feels the need to value.
Yet the problem of visual relativism does not easily settle here. On the face of it, it may appear liberal. But on closer examination, it reveals a risk that people might maintain danger of resorting to. Rather than appreciating beauty through a conscious effort of seeing and noticing the minutest details of the object of beauty, aesthetic relativism offers us an outlet to be lazy, for everything is beautiful if it’s thought by us is beautiful. Hence we will probably overestimate our aesthetic sensibility and assume that our uneducated eyes can assure us automatic possession of beauty without a good second of contemplation.
- Skin seems more hydrated and softer
- Super thin consistency, excellent for dry lips
- 1 tsp. rosehip seed oil (or a far more budget friendly essential oil such as nice almond, hemp or sunflower)
- Hair fall treatment
- 8 years back from Florence, South Carolina
We all long for beauty. But frequently we are too inclined to think that we are the experts of our own senses which require no training whatsoever. We should not be afraid to accept the fact that some may see, hear, and write better than us. Admit that their awareness of colors, rhythms, and utilization of words are far better than ours.
Although the skin care editors are just trying to be helpful, they may not realize what mineral oil/petroleum jelly does to your skin actually. Mineral oil and other petroleum products coat your skin with a slick film that makes your skin layer feel soft and supple. But, it isn’t your skin you feel, it’s the nutrient oil.
Underneath that slick surface, you have clogged skin pores that can’t release toxins from perspiration, reduces inactive epidermis cell turnover rate (trapping dirt and perspiration), and can’t normally absorb wetness from the environment. This is what mineral oil is doing to your skin. Mineral oil fools your skin it has sufficient moisture from the environment as well as your body naturally stops producing its natural, safe oils. This may lead to pre-mature aging of your skin and a dried-out weathered appearance. Your skin layer basically become dysfunctional and can’t do its job properly as your body’s largest organ. Why do some individuals suggest petroleum-based products? Mainly, to protect skin in cold, dry weather so that as a moisturizer.
